{"id":20,"date":"2021-03-07T08:50:08","date_gmt":"2021-03-07T08:50:08","guid":{"rendered":"http:\/\/wandau.themezinho.net\/?page_id=20"},"modified":"2025-09-11T13:30:59","modified_gmt":"2025-09-11T13:30:59","slug":"alain-henri-chekroun","status":"publish","type":"page","link":"https:\/\/shealtiel-heritage.org\/it\/alain-henri-chekroun\/","title":{"rendered":"Alain Henri Chekroun"},"content":{"rendered":"
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\n<\/svg>\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t

Alain Henri Chekroun<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n

Alain Henri Chekroun (Cheltiel) Algeri\/Francia \u2014 Storico, autore, imprenditore.<\/p>

Da oltre 25 anni (5760-2000), e fin dalla mia scoperta familiare in Catalogna, culla singolare di Shealtiel, assimilati e altri, mi impegno a far rivivere le nostre figure emblematiche della storia ebraica dimenticata. Questo progetto nasce da una duplice necessit\u00e0: quella di ricollegare i discendenti della stirpe davidica alle loro radici e quella di offrire uno sguardo proiettivo e impegnato sul presente vettore di un futuro prossimo.<\/p>

Perch\u00e9 questo progetto e perch\u00e9 realizzarlo? Per illuminare la nostra memoria, per lavorarci affinch\u00e9 diventi una bussola e affinch\u00e9 ogni nome trovi la sua vocazione.<\/p>

Il mio ruolo: raccontare, unire, trasmettere, come moderno passante e attore della Storia in generale e della nostra in particolare.<\/p> <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\n<\/svg>\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n
\"National<\/div>\n

Museo nazionale delle donne nelle arti<\/h2>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n
\n
\n
\n
\n
\n
\"Image\" <\/figure>\n <\/div>\n \n
\n
\"Image\" <\/figure>\n <\/div>\n \n
\n
\"Image\" <\/figure>\n <\/div>\n \n <\/div>\n \n <\/div>\n \n <\/div>\n \n
\n
\n
\n
\n
\"Image\" <\/figure>\n <\/div>\n \n <\/div>\n \n <\/div>\n \n <\/div>\n \n <\/div>\n \n<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n
NON PERDERE L'OCCASIONE<\/h6>\n

Donne da tenere d'occhio<\/h2>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n
\n
\n \t\t
\n \"2011:\n\t\t\t<\/figure>\n \t\t
\n
2011: Materiali organici<\/h5>\n Per saperne di pi\u00f9<\/a>\n \t\t\t<\/div>\n <\/div>\n
\n \t\t
\n \"2013:\n\t\t\t<\/figure>\n \t\t
\n
2013: Il metallo conta<\/h5>\n Per saperne di pi\u00f9<\/a>\n \t\t\t<\/div>\n <\/div>\n
\n \t\t
\n \"2015:\n\t\t\t<\/figure>\n \t\t
\n
2015: Questioni organiche<\/h5>\n Per saperne di pi\u00f9<\/a>\n \t\t\t<\/div>\n <\/div>\n
\n \t\t
\n \"2018:\n\t\t\t<\/figure>\n \t\t
\n
2018: Metallo<\/h5>\n Per saperne di pi\u00f9<\/a>\n \t\t\t<\/div>\n <\/div>\n
\n \t\t
\n \"2021:\n\t\t\t<\/figure>\n \t\t
\n
2021: Lavoro burocratico<\/h5>\n Per saperne di pi\u00f9<\/a>\n \t\t\t<\/div>\n <\/div>\n <\/div>\n \n<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\"Image\"<\/figure>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n
\n
Visita il Museo Wandau<\/h6>\n

Pezzo antico<\/h2>\n <\/div>\n \n
    \n
  • \n
    \"Image\" <\/figure>\n <\/li>\n
  • \n
    \"Image\" <\/figure>\n <\/li>\n
  • \n
    \"Image\" <\/figure>\n <\/li>\n
  • \n
    \"Image\" <\/figure>\n <\/li>\n <\/ul>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n 0<\/span>\n k<\/span>\n

    PI\u00d9 DI 15.000
    \nMEMBRI<\/p>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n 0<\/span>\n M<\/span>\n

    3 MILIONI DI VISITATORI<\/p>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n 0<\/span>\n +<\/span>\n

    PI\u00d9 DI 5.500
    COLLEZIONE<\/p><\/p>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n 0<\/span>\n K<\/span>\n

    BIGLIETTO GIORNALIERO
    SALDI<\/p><\/p>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n
    \"Featured<\/div>\n
    Visita il Museo Nazionale Wandau<\/h6>\n

    Artisti in primo piano<\/h2>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n
    \"Cable <\/figure>\n
    \n

    Cable Griffith \u2013 L'albero fantasma<\/h3>\n

    2018 <\/strong>Acrilico originale su carta<\/p> <\/div>\n \n\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n
    \"Modern <\/figure>\n
    \n

    Casa moderna con squalo<\/h3>\n

    2019 <\/strong>Acrilico originale su carta<\/p> <\/div>\n \n\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n
    \"Love <\/figure>\n
    \n

    Amo, amo, do Bull Terrier<\/h3>\n

    2021 <\/strong>Acrilico originale su carta<\/p> <\/div>\n \n\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n
    \n

    "Questo non \u00e8 un museo". Magritte avrebbe potuto dire di questo luogo. Se fosse un museo, staremmo per Museum of Many Artists. Il MoMa cura l'arte del Regno Unito e di artisti internazionali. Mentre un museo espone opere curate da un museo"<\/p>\n <\/div>\n \n\n

    Noi curiamo - Tu acquisti arte online<\/h6>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n
    \n

    "Questo non \u00e8 un museo". Magritte avrebbe potuto dire di questo luogo. Se fosse un museo, staremmo per Museum of Many Artists. Il MoMa cura l'arte del Regno Unito e di artisti internazionali. Mentre un museo espone opere curate da un museo"<\/p>\n <\/div>\n \n\n

    Noi curiamo - Tu acquisti arte online<\/h6>\n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
    \n\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
    \n\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Alain Henri Chekroun Alain Henri Chekroun (Cheltiel) Alger\/France \u2014 Historien, auteur, entrepreneur. En plus de 25 ans (5760-2000) et depuis ma r\u00e9v\u00e9lation familiale en Catalogne, berceau singulier foisonnant des Shealtiels, assilmil\u00e9s et consorts, je m\u2019engage \u00e0 faire revivre nos figures embl\u00e9matiques de l\u2019Histoire juive oubli\u00e9e. Ce projet est n\u00e9 d\u2019une double n\u00e9cessit\u00e9: celle de reconnecter […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-builder.php","meta":{"_acf_changed":false,"give_campaign_id":0,"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"acf":[],"campaignId":"","_links":{"self":[{"href":"https:\/\/shealtiel-heritage.org\/it\/wp-json\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shealtiel-heritage.org\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shealtiel-heritage.org\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shealtiel-heritage.org\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shealtiel-heritage.org\/it\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":29,"href":"https:\/\/shealtiel-heritage.org\/it\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":2005,"href":"https:\/\/shealtiel-heritage.org\/it\/wp-json\/wp\/v2\/pages\/20\/revisions\/2005"}],"wp:attachment":[{"href":"https:\/\/shealtiel-heritage.org\/it\/wp-json\/wp\/v2\/media?parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}